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At the name of Vincent Julia started; the doubtful words he had uttered on his deathbed were now explained—the cloud of mystery which had so long involved the southern buildings broke at once away: and each particular circumstance that had excited her former terror, arose to her view entirely unveiled by the words of the marchioness.—The long and total desertion of this part of the fabric—the light that had appeared through the casement—the figure she had seen issue from the tower—the midnight noises she had heard—were circumstances evidently dependant on the imprisonment of the marchioness; the latter of which incidents were produced either by Vincent, or the marquis, in their attendance upon her., Johnny Blossom was so excited that he kept hopping around. Grandmother sat herself right down on the ground., Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart..